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By Alexander Vvedensky
“Pussy rebellion are Vvedensky's disciples and his heirs. Katya, Masha, and that i are in penitentiary yet I don’t give some thought to that we’ve been defeated.... in response to the reliable document, Alexander Vvedensky died on December 20, 1941. We don’t recognize the reason, even if it was once dysentery within the educate after his arrest or a bullet from a shield. It was once someplace at the railway line among Voronezh and Kazan. His precept of ‘bad rhythm’ is our personal. He wrote: ‘It occurs that rhythms will come into your head, a superb one and a foul one and that i pick out the undesirable one. will probably be the suitable one.’ ... it's believed that the OBERIU dissidents are lifeless, yet they continue to exist. they're persecuted yet they don't die.” — Pussy rebel [Nadezhda Tolokonnikova’s final assertion at their
trial in August 2012]
“I raise[d] my hand opposed to concepts,” wrote Alexander Vvedensky, “I enacted a poetic critique of reason.” This weirdly and beautifully philosophical poet was once born in 1904, grew up in the middle of conflict and revolution, and reached his creative adulthood as Stalin used to be twisting the which means of phrases in ugly and deadly methods. Vvedensky—with Daniil Kharms the key determine within the short–lived underground avant-garde team OBERIU (a neologism for “the union for actual art”)—responded with a poetry that explodes sturdy which means into shimmering streams of provocation and invention. A Vvedensky poem is sort of a loopy celebration filled with theater, movie, magic tips, jugglery, and feasting. Curious characters look and disappear, euphoria retains corporation with depression, outrageous assertions bring about epic shouting fits, and maybe all of it breaks off with one lonely individual making a song a song.
A Vvedensky poem doesn’t make an announcement. it really is an occasion. Vvedensky’s poetry was unpublishable in the course of his lifetime—he made a residing as a author for kids prior to demise below arrest in 1942—and he continues to be the least identified of the nice twentieth-century Russian poets. this can be his first publication to seem in English. The translations by means of Eugene Ostashevsky and Matvei Yankelevich, amazing poets of their personal correct, are as astonishingly alert and alive because the originals.
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Additional info for Alexander Vvedensky: An Invitation for Me to Think
The exasperation of the revolution reduces them all to 舠an equality of brute beasts, a same level of bloody turpitude; for the fanaticism of self-interest balanced the frenzy of the poor, aristocracy had the same fits of fury as the mob, and the cotton cap did not prove less hideous than the red cap舡 (pp. 377-378). This messy history is largely apprehended from a private perspective, that of Frȳdȳric. As a consequence, even though the narrator never intervenes, history is not described in an impartial way.
The dynamism of the former and the musing of the latter will prove equally useless. Deslauriers, the social climber with leftist leanings, petit-bourgeois manners, naive arrogance, and little money, will not live up to the 舠laurels舡 (lauriers) promised by his name; he will not rise 舠by a series of actions deducing themselves from one another舡 (p. 90), as occurs in the hyperactive universe of The Human Comedy; he will never launch one of those newspapers that, as Balzac in Lost Illusions and later Maupassant in Bel-Ami (1885) have shown, constitute a new and unstoppable force in bourgeois society.
In our text as in those, Marie is the object of the deepest, and the most forbidden, desire. When Frȳdȳric meets her on the boat on his way back to Madame Moreau舗s, she sits like a Madonna with child; in the epilogue, she kisses him 舠on the forehead, like a mother舡 (p. 474). No one may emulate her in that role: Whereas her maternity is sublime舒as when she sacrifices her first and only rendezvous with Frȳdȳric to look after her sick child, and the child survives舒Rosanette舗s unwanted maternity, which she uses to retain Frȳdȳric, is slightly grotesque, and her baby dies.