Download Art Matters: A Critical Commentary on Heidegger’s “The by Karsten Harries PDF

By Karsten Harries

In recent times there was loads of speak about a potential loss of life of paintings. because the identify of Heidegger’s “The starting place of the paintings of Art” indicates, the essay demanding situations such speak, simply because it in flip is challenged by means of such speak, speak that's supported by means of the present country of the art-world. It used to be Hegel, who so much profoundly argued that the form of our smooth international not allows us to furnish artwork the importance it as soon as possessed. Hegel’s proclamation of the top of paintings in its maximum feel shadows this statement, because it shadows Heidegger’s essay. Heidegger’s challenging flip from the thinker Hegel to the poet Hölderlin is born of the conviction that we mustn't ever enable Hegel to right here have the final word. At stake is the way forward for artwork. yet extra importantly, if we're to simply accept Heidegger’s argument, at stake is the way forward for humanity. yet all who're desirous to locate in Heidegger’s essay guidelines pertaining to the place not only artwork, yet we must always be heading, might be made cautious by way of Heidegger’s politicizing of artwork and aestheticizing of politics. either stay temptations that call for a severe reaction. This remark demonstrates the ongoing relevance of Heidegger’s reflections.

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Extra resources for Art Matters: A Critical Commentary on Heidegger’s “The Origin of the Work of Art” (Contributions to Phenomenology)

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Ed. (Berlin: de Gruyter, 1970) and Daniel O. Dahlstrom, Heidegger’s Concept of Truth (Cambridge: Cambridge University Press, 2001), which includes an unusually thoughtful critical discussion of Tugendhat’s probing critique. 2. Wittgenstein’s Philosophical Investigations are, seen from this perspective, an analysis of inauthentic Dasein. 3. Hugo von Hofmannsthal, “The Letter of Lord Chandos,” Selected Prose, trans. Mary Hottinger and Tania and James Stern (New York: Pantheon, 1952), 134–135. 4. Ibid.

What could it mean for us moderns to recover the Greek origin of science? Heidegger himself proceeds to contrast our situation with that of the Greeks: as perhaps never before, we find ourselves spiritually at sea: And if our most authentic existence itself stands before a great transformation, and it is true what that passionate seeker of God and last German philosopher, Friedrich Nietzsche, said: “God is dead”—and if we must be serious about this forsakenness of modern human beings in the midst of what is, then what is the situation of science” (G16, 111/8).

This active perseverance knows about its impotence in the face of destiny” (G16, 110/8). 3. ” Heidegger asserts indeed that the very title of the Rectorial Address, Die Selbstbehauptung der deutschen Universit¨at implied such opposition. Consider what he says about that title in the Spiegel interview: SPIEGEL: Self-assertion of the university, in such a turbulent world, does that not seem a little inappropriate? HEIDEGGER: Why? “The Self-Assertion of the University” goes against socalled political science, which had already been called for by the Party and National Socialist students.

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