Download Asterix and the Golden Sickle (Asterix) by Rene Goscinny, Visit Amazon's Albert Uderzo Page, search PDF

By Rene Goscinny, Visit Amazon's Albert Uderzo Page, search results, Learn about Author Central, Albert Uderzo,

Getafix has damaged his golden sickle, so Asterix and Obelix stopover at Lutetia to shop for a brand new one for him. however the sicklesmith—a cousin of Obelix—has vanished with no hint. the place may he have long past? and will Asterix clear up the secret and convey Getafix what he wishes?

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Extra resources for Asterix and the Golden Sickle (Asterix)

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In contrast, the situation represented in the third panel seems completely unrelated to the incipient story. Two interpretations seem possible. Either: whether or not s/he brought the tadpoles home, the child examined them sufficiently closely to enable him/her, many years later and having become an artist, to produce canvasses inspired by their form. It is not possible to base a judgment on the section that appears in the frame, but the black circular shape represented in the picture could be taken as a detail from the head of a tadpole, massively blown up.

1 A NEW CATEGORY One part of this marginal comics production has been labeled and in some sense officially recognized as a category, if not a genre, by the appearance in 2009 of the anthology Abstract Comics published by Fantagraphics and edited by Andrei Molotiu. What exactly are abstract comics? Molotiu distinguishes two types: either sequences of abstract drawings, or sequences of drawings that contain figurative elements, the juxtaposition of which does not produce a coherent narrative. His anthology offers many more examples of the first case than of the second.

I concur, then, on this point, with the ranks of theorists (the majority) who, like Aron Kibedi Varga,7 feel that a single image can evoke a story, but that this does not mean that it tells one. ”8 The exception to the rule occurs when the single image encompasses several different scenes, that is to say that it plays on juxtaposition within its own space. This is the case of the “narrative images” of which François Garnier has tracked down many occurrences in medieval iconography: The narrative image consists of a set of elements and relationships that present an incident or tell a story.

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